"It's been a process of learning how to be in a community of musicians and less focusing on the lone, depressed songwriter. . .just playing something that has a beat and is really fun,"  Fullbright said.  "That's not to say there are no songs on this record where I depart from that, because there are, but there's also a band with an opinion.  And that part is new to me."

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He recorded the album, an exploration of the highs and lows of emotion, the good times and the aftermath, with his band of "usual suspects", all of them key players in Tulsa's vibrant music community.  Also, in the title track of The Liar, we find Fullbright talking to God, again.  It's the soft landing of his lifelong struggle with the comcept of God, of accepting tenets of Christianity without believing in its central figure.

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He explored this notably in 2012's Gawd Above, where the vengeful title character exacts terror and salvation in equal measure.  "Give 'em wine and song, fire and lust/When it all goes wrong, I'm the man to trust,"  Fullbright sings.

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In The Liar, the power dynamic has shifted.  "God, grant me whiskey," Fullbright sings, "and I promise I'll be good."  It's all done with a wink and a nod, less like a prayer and more like a request of Billy Joel's Piano Man."  The sentiment is real but the words are false.  He's still telling essential truths, which was always his gift, but this time they're a little more slanted.  Maybe lying to tell the truth was always the songwriting target.  Maybe throwing out some of the rules is what got him there.  So is Fullbright as a songwriter, a liar in his own estimation?

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"What I love about songwriting is you're the hero in your own story most of the time and I think that's very human," he says.  "But the short answer is:  yes."

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For more info:  JohnFullbrightMusic.com